In his fifth album Decision Presented, Zhishi doesn't veer drastically from his previous work, but this might just be his best in terms of production and architectural finesse. The album commences with "Fine. I'll Do It," a track that gracefully lulls the listener into a trance-like reverie. Cascading soft, delicate melodies envelop the senses, imbuing an inviting warmth that beckons exploration. Its subtlety is its strength, with gentle variations that eschew dramatic dynamics, a choice that remarkably suits the stylistic narrative.
"Stalling Prolonged" takes a different path, embracing a more pronounced beat. A familiar palette of sound unfolds, yet this time, the drums command a tribal-like presence that resonates with the jungle's spirit. The interplay of rhythms and melodies unfolds seamlessly, leaving a distinct impression of admiration. In "There We Go," Zhishi delves into experimentation, crafting perhaps the most enthralling beat in the album. Here, glitch-like intricacies scatter across the soundscape, embracing dissonance and introducing unique temporal dimensions. An undercurrent of anxiety and tension infuses the piece, delivering a distinct auditory experience. "Take It Down A Notch" propels the listener to the dance floor. A hypnotic groove ensnares the senses, coupled with rising pads that emulate orchestral strings, rendering it a formidable dance party anthem. Lastly, "Right There" stretches to an impressive eleven-minute mark, evoking melancholy and drawing comparisons to ambient masterpieces in Aphex Twin's catalog. With Decision Presented, Zhishi's evolution in production reaches new heights. This album stands as a testament to his commitment to the craft, showcasing his prowess and evolution in creating immersive sonic experiences. It's a journey worth embarking upon – highly recommended.
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