The latest offering from New England's The Fretbenders, Long Overdue, embodies an authentic blend of Americana rooted in blues, folk and country elements. Led by Diane Kordas, whose prowess extends from lead vocals to songwriting, and complemented by Robert Kordas on vocals, dobro, slide guitars and banjo, this album serves up a delightful mix of foot-tapping melodies infused with humor and exceptional musicianship. It's a fusion where the charm of a rustic barbecue converges with the allure of a speakeasy.
The album kicks off with the timeless and classic "Somebody Left Me With The Blues," showcasing jazzy vocals and finely executed instrumentation—a strong opener that sets the tone. "Will You Be My Darlin’ Anyway" offers an intimate, reflective vibe, while "Long Cold Winter" transports listeners to another era, evoking a sense of timelessness fit for a festive gathering. Consistency in songwriting is a standout feature here, with highlights like the beautifully melancholic "Empty Pocket Blues," cleverly adorned with nods to Musk and Bezos. "Sunrise on Saturday" exudes sheer joy and relaxation, akin to basking in the warmth of vacation rays while holding a drink. Meanwhile, "Yes I Guess They Oughta Name a Drink After You" feels like a boozy anthem, wheezing along with the delightful inclusion of mandolin in the mix. "Wandering Soul" emerges as a striking beauty, showcasing one of the album's finest vocal performances. The infectious quality of "Everything is Free" carries a '70s flavor, resembling a potential single, while the closing track, "Long Overdue," infuses a distinct bluegrass essence, serving as the album's titular and fitting culmination. Overall, Long Overdue is a splendid musical journey, boasting impeccable songwriting, delivery and production values throughout. It's an album that deserves attention and certainly warrants a listen.
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