The Dreadtones make a compelling return with their latest offering, The Dead Frequency. They've aptly labeled it as indie-rock/horror surf, and that description hits the mark. In truth, it plays out more like a double album with a hefty eighteen tracks to explore. While it leans towards the longer side, the abundance of intriguing sounds makes it well worth the journey.
Kicking off the album is "The Unsound Mind Of Lily Liver," a tune that could easily find its place in a Quentin Tarantino film. It effortlessly blends elements of spaghetti western, surf and atmospheric horror, resulting in a captivating sonic blend that sets the tone. As we move through the album, "Sovngarde and the Hall of Valor" leans more into surf-rock, while "A Choir Of Wolves" channels a vibe reminiscent of The Doors, especially during its breakdown. "Wake The Dead" stands out with its impressive guitar work, showcasing the band's musical prowess. "Heaven's Gate" takes a more experimental and subdued route, evoking comparisons to the likes of Godspeed You! Black Emperor. The return to surf territory in "Operation Terror" is a highlight, showcasing a perfect fusion of surf with a hint of horror. At the heart of the album lies "The Conspiracy," a nearly eight-minute slow burn that becomes a personal favorite. It conjures imagery of wandering through the desert, reigniting the spaghetti western essence. A couple of tracks deserve special mention: "Shadow Self" ventures into experimental territory with its robotic-sounding vocals, while "Old Fears" emerges as one of the most dynamically layered pieces, drawing inspiration from the post-rock realm. While one might argue that the album's impact could have been more concise with ten to twelve tracks, there's no denying that The Dead Frequency is undeniably a solid effort. Its consistent quality and intriguing vibe make it a must-listen. Dive in and discover the captivating sounds of The Dreadtones.
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