Steady Owl emerges as the artistic alter ego of the self-proclaimed late bloomer, Roy Shrum, who, backed by his longstanding companions Jon Wiest on drums and Jeremy Cullum on keys, showcases a distinctive talent for crafting evocative songs adorned with intricate guitar work and a unique vocal signature.
The first song I listened to was "Moondog," where the initial notes enveloped me in a melancholic embrace. Echoes of Elliot Smith and Sufjan Stevens permeated the composition, albeit with a more pop-oriented flair. The vocals resonated seamlessly, transitioning into a chorus that transformed the track into a captivating pop/rock anthem. Its catchiness, flawless delivery and emotional depth left a lasting impression. Great song!
"Between Door and Chair" surpassed expectations, grabbing me with a subtle touch of shoegaze aesthetics. The warm distortion, coupled with a pleasantly surprising hook, showcased a level of artistry that deviated from the anticipated path. The vocals, confidently delivered within a natural and comfortable range, complemented the well-executed lead guitar work, contributing to the song's allure.
"Is It Too Late" embarked on a different vibe and style, commencing with the gentle strumming of an acoustic guitar that set an intimate tone. The song exuded softness, as if guided by a directive to play with the utmost lightness. The introspective ambiance evoked shades of early Radiohead, particularly in the nuanced guitar work.
In this trifecta of tracks, Steady Owl adeptly unveils the multifaceted dimensions of their artistry, each piece providing a distinct layer to their signature sound. I felt like their music was polished, well delivered and very inviting. Take a listen and immerse yourself in the myriad hues of their sound.
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