much karma - Infinity Divinity

much karma

Infinity Divinity
​self-released; 2022

​4.0 out of 5

By My Nguyen

Based in Victoria, Australia, much karma consists of four seasoned musicians who’ve come together to give you their latest album Infinity Divinity, an eight-track genre-bending collection that dives into classic rock, funk, psychedelic, blues, folk rock and more. The members are Graeme Heinrich (vocals), Andy Peterson (guitar), Jen Heinrich (bassist) and Tony Floyd (drummer) and the chemistry coming from this group of musicians is obvious from the get-go. They sound like a bunch of good friends just having a grand ol’ time jamming together. If you’re looking for a fun listen, then look no further. much karma’s album has it all here for you.

Infinity Divinity gets started with “High Time,” where drums, guitars and other instruments come together for a revved effect. I definitely loved the energy coming from this track. Heinrich’s vocals arrive and he belts out the lyrics with enthusiasm. The song overall gave a very classic rock vibe. The jaunty rhythms and happening beats point to a fun-loving rock romp as listeners release their inner inhibitions and just dance the night away. Starting off to a sauntering beat, I was getting a bluesy vibe from “The Song.” I was immediately reminded of “Hotel California.” There was just a great classic rock vibe to the gritty vocals. Fast-paced guitars come rolling in with a rollicking sound on “Falling Down.” Next, Heinrich’s rich vocals arrive with feeling. This was an upbeat track with a jaunty beat. I was getting some funk and punk rock in the mix. Loving the overall vibe of this driven track. Finger-picking on the guitars and percussion arrive for a mellow undertaking on “Fleeting Moment.” This felt like in the ballad vein as the band slowed down for a more meandering approach. This felt like a departure from the band’s more hard-hitting sound and it definitely showed another side to the band’s music-making. 

Shimmering instrumentals come in as the band slows down for this simmering and slow burning number on “On The Pad.” I was getting some blues right away. Heinrich’s vocals are sung with gritty emphasis as the band accompanies him on this dark and aggressive song. I had to say, the guitar solo here sounded really great. On “Like You Do,” some finger-picking on the guitar comes through. This made for a sparse delivery. Heinrich’s vocals come in with a dreamy vibe. I loved how stripped back yet how emotionally powerful this track felt to my ears at the same time. This was an airy and ethereal-sounding ballad that proved to be a great listening experience.

​“Parting Shot” was another driven song as Heinrich belts out the lyrics with feeling. I was also getting some folk and Americana here. The band shows tons of flavor as they throw themselves into the music, going all-out on this bluesy number. Distorted synths and guitars come in for a sauntering feel on “Sweet Release.” This song leaned toward the folk and psychedelic genres. I was reminded of U2. The band chooses to close the album with this dynamic ballad. 

Originally written and performed acoustically, when the band added the bass lines and drum elements, the music became that much more dynamic. Recorded in just two wild days in Woodstock Studios, located in Melbourne, Australia, the energy of the band’s performances translated very well into this recording. I can just imagine watching the band play live while listening to this record as the group was definitely on fire while recording this album.

​Their energy and passion are on full display and I think a lot of us will find their music and enthusiasm contagious. much karma revives a classic rock sound while also bringing something of their own to the table. Fans of the oldies will be in for a treat once they hit play. Be sure you give this a spin today!

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