Two is the latest synth-pop album from Mike Dasher. He wastes no time getting started, throwing himself fully into the intro track — “Frightening” starts with a punchy beat and hypnotically catchy synth line. I was bopping my head before the vocals or guitar came into play, but the acoustic instrumentation was really just the cherry on top of a cake that was already delicious. I love the bass guitar tone on this track, and the wispy, washed-out vocals perfectly contribute to the psychedelic sound that Dasher has crafted. Then, when you add the summery, sparkly electric guitar twangs to the mix, you’ve got a feel-good indie-dance banger that’ll have everybody on their feet at the party for introverts (sounds like my kind of gathering).
“Leave The Light On” treads nostalgic territory, wearing ‘80s influences on its sleeve with the flanger-driven guitar that would be fitting in an early Smiths’ track. Even Dasher’s emotive, evocative vocals are reminiscent of Morrisey. But Dasher brings something new to the table — there’s a quietness and intimacy to this track that feels very much unique to his sound. I do love how washed out his vocals sound — I know I’ve already mentioned that, but it’s worth repeating; the effect on his vocals really adds to the trippy, otherworldly vibe of his music. There’s a mix of somber tunes and pop bangers on this record. Another dance-worthy offering, “Feet to the Fire,” actually manages to be both a pop banger and a somber, sullen piece. Yes, the chord progression and heart-wrenching vocals carry a sadness to them, but the punchy, enigmatic beat somehow cancels out that energy and still incentivizes listeners to move their feet. Again, it’s a pop banger for a small gathering of like-minded introverts, but there’s no denying that this is music for the downtrodden who still want to move their bodies — shake off the blues. Two closes with “Widen.” A song that feels so much more uplifting than its predecessor and yet still carries an edge to it — a slight sinister darkness. I love the crunchy guitar and, yet again, the catchy, booming beat. There are some fantastic riffs and vocal hooks on this head-bop-worthy album closer. Mike Dasher certainly closes the record as he starts it. There are no low notes on this electrifying, multi-faceted offering.
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