When you press play on Jason Lyles latest album Tandem, you’ll be pleasantly surprised by a smattering of genres. From the ’50s-‘60s doo wop era to ‘90s alternative rock and ‘80s indie pop, the artist brings to the table his gift for bringing a nostalgic sound to audiences everywhere. The 11-track record is filled with around 43 minutes of pure retro sounds. Lyles keeps the good vibes coming with this release blending a wide range of genres on this album that combines sounds both new and old listeners everywhere can appreciate.
Tandem begins with “Pants On Fire,” where right from the start, Lyles comes out of the gates with this addicting pop song. Filled with rumbling bass lines and larger-than-life guitars, Lyles’ vocals are like a blast from the past as he belts out the lyrics energetically. I was loving the positive vibes of this track that felt distinctly like something to come from the ‘50s and ‘60s. The guitar solos were also spectacular. On the title track “Tandem,” some acoustic guitar rolls in alongside some synths and strings. I loved the orchestral elements in this section. The retro keys and electric guitars reminded me of the sort of music to come out of the ‘90s. The soaring emotions on this song made for a great listening experience. Guitars and horns jumpstart the uplifting “Bargain Bin.” The upbeat energy and catchy vibes made for a great sound. The horns went on to add a big band vibe which I loved. Up next is “Wildflowers,” where the acoustic guitar rolls in with a very intimate vibe. Sounds of the fiddle also enter. I felt carried away by the folksy rock sounds. Lyles adds his own take to this Tom Petty cover. Some moving acoustic guitar comes in alongside some electronic beats on “Gravitate.” I was reminded of Beck here and also of ‘90s alt rock overall. The melodies and vocals take flight for an emotional liftoff. Some synths flow through the start of “Counterfeit” alongside some acoustic guitar. Next, some beats drive the sound home with a very warm vibe. The combined vocal harmonies sounded dynamic. This was definitely one of the highlights on the album. “Every Little Second” starts off with a big bang. Lyles comes in in a punk rock fashion. His sound recalled in my mind Green Day. The rock flavors were definitely full-on here. On the highly addictive “Random,” beats and synths enter for a riveting feel. I was loving how ‘80s pop this track sounded to my ears. Strings, guitars and synths light up the beginning of “Underground.” I was immediately getting a folk and acoustic vibe from the sounds. This felt like a warm and stirring way for the artist to send us off with this closer. The energy and enthusiasm that Lyles shows on this record is definitely contagious. Listeners everywhere will feel the urge to stop what they’re doing, get up and start dancing. Moving and uplifting all at once, let’s hope that Lyles keeps the momentum going and releases more albums in this vein soon!
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