The Do Good Badlies - Electric Nights

The Do Good Badlies

Electric Nights
Get Bent Records; 2015

3.6 out of 5

By Andrew Westberry

While some bands jump right into their sound from the very first note of the first song, The Do Good Badlies is content with waiting to unveil their style after a minute or so of atmospheric, psychedelic dabbling. After a somewhat lengthy intro on their self-titled album Electric Nights, “Our Night” launches into an upbeat, melodic rock song chock full of electric and acoustic guitars, backup vocal harmony and steady drum beats.

“#FML” and its bright, energetic instrumentation belies the aggressive ranting that the song’s lyrics and singing portray. Settling down slightly, “Nickels and Dimes” features a female vocalist leading a grunge blues groove accompanied by a classic rock organ, giving additional substance to an already thunderous track.

“Goodnight” begins with a highly catchy riff that repeats throughout the tune. Positioned behind screaming guitars and solid vocals is the delicate sound of a glockenspiel, producing a playful, dreamlike effect. As the track progresses, it becomes clear that this song is definitely a major highlight of the album.

There are no major surprises in the next few tracks of the album, but there exists an ever-changing balance between harsh and gentle vocals, a cappella and instrumentation, and loud and quiet portions of songs. “Fear This Change” makes a substantial alteration in style, opting for a slow groove featuring timely silences and harmonica riffing. Listeners can picture the entire band putting their whole selves into the rhythm of this foot stomping song.

The album ends on a slightly wistful note, utilizing minor chords and soniferous sounds in “Bless Your Heart.” The final chord signifies a deep resolution and conclusion to the album with a lengthy fade­out that bespeaks of reflection and a definitive ending simultaneously. Overall, Electric Nights presents a significant amount of catchiness, style and musical aptitude that will certainly carry the band far.

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